Then the question of the pattern. (Compare with the whorl, the spiral, Maori decoration.) Why was this form common to all primitive art? The problem perplexed him. He took it, as was his custom, for a long walk; and in the dreariest, most grey street of a grey, remote suburb, just as the men were coming home form the city, the thought, with a pang of joy, rushed into his mind, that the maze was not only the instrument, but the symbol of ecstasy: it was a pictured “inebriation,” the sign of some age-old “process” that gave the secret bliss to men, that was symbolised also by dancing, by lyrics with their recurring burdens, and their repeated musical phrases: a maze, a dance, a song: three symbols pointing to one mystery.
The London Adventure p. 89 – Arthur Machen
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