The Perennial Philosophy

What the poet and the painter see: Aldous Huxley, 1947, page 72

...Every individual being, from the atom up to the most hightly organised of living bodies and the most exalted of finite minds, may be thought of, in Rene Guenon's phrase, as a point where a ray of the primordial Godhead meets one of the differentiated, creaturely emanations of that same Godhead's creative energy. The creature, as creature, may be very far from God, in the sense that it lacks the intelligence to dicover the nature of the divine Ground of its being. But the creature in its eternal essence - as the meeting place of creatureliness and primordial Godhead - is one of the infinite number of points where divine Reality is wholly and eternally present. Because of this, rational beings can come to the unitive knowledge of the divine Ground, non-rational and inanimate beings may reveal to rational beings the fullness of God's presence within their material forms. The poet's or the painter's vision of the divine in nature, the worshipper's awareness of a holy presence in the sacrament, symbol or image - these are not entirely subjective. True, such perceptions cannot be had by all percievers, for knowledge is a function of being; but the thing known is independent of the mode and nature of the knower. What the poet and painter see, and try to record for us, is actually there, waiting to be apprehended by anyone who has the right kind of faculties. Similarly, in the image or the sacramental object, the divine Ground is wholly present. Faith and devotion prepare the worshipper's mind for perceiving the ray of Godhead at its point of intersection with the particular fragment of matter before him. Incidentally, by being worshipped, such symbols become the centres of a field of force. The longings, emotions and imaginations of those who kneel and, for generations, have knelt before the shrine create, as it were, an enduring vortex in the psychic medium, so that the image lives with a secondary, inferior divine life projected on to it by its worshippers, as well as with the primary divine life which, in common with all other animate and inanimate beings, it possesses in virtue of its relation to the divine Ground. The religious experience of sacrementalists and image worshippers may be perfectly genuine and objective; but it is not always or necessarily an experience of God or the Godhead. It may be, and perhaps in most cases it actually is, an experience of the field of force generated by the minds of past and present worshippers and projected on to the sacramental object where it sticks, so to speak, in a condition of what may be called second-hand objectivity, waiting to be perceived by minds suitably attuned to it. How desirable this kind of experience really is will have to be discussed in another sections...

...'To its heights we can always come.' For those of us who are still splashing about in the lower ooze, the phrase has a rather ironical ring. Nevertheless, in the light of even the most distant acquaintance with t he heights and the fullness, it is possible to understand what its author means. To discover the Kingdom of God exclusively within oneself is easier than to discover it, not only there, but also in the outer world of minds and things and living creatures. It is easier because the heights within reveal themselves to those who are ready to exclude from their pruview all that lies without. And though this exclusion may be a painful and mortifactory process, the fact remains that it is less arduous than the process of inclusion, by which we come to know the fullness as well as the heights of spiritual life. Where there is exclusive concentration on the heights within, temptations and distractions are avoided and there is a general denial and suppression. But when the hope is to know God inclusively - to realise the divine Ground in the world as well as in the soul, temptations and distractions must not be avoided, but submitted to and used as opportunities for advance; there must be no suppression of outward-turning activities, but a transformation of them so that they become sacramental. Mortification becomes more searching and more subtle; there is need of unsleeping awareness and, on the levels of thought, feeling and conduct, the constant exersise of something like an artist's tact and taste....